WORKS for ORGAN by MALCOLM HILL
Includes Concerti and Improvisations
mj Title
7 Chorale preludes
7.1 Praise my Soul
7.2 Love Divine
8 Organ Sonata in d minor
54 Arch for Organ
60 Concertino for Organ, fl, ob, hn and String 5tet
74 Music for Everyman (play at SMVPH, May 1973)
74.1 Music for “God”
74.2 Music for “Death”
74.3 Antiphons to a plainsong
75 Prelude, Trio and Conundrum
82 Formation I
83 Nurnberg improvisation
115.1 Da Pacem I for organ
123 Formation II (Haarlem Improvisation I for organ)
150 Passacaglia Improvisation
151 Haarlem Improvisation II
153 Skits for 4-manual organ
165 Dialog for Organ & Full Orchestra
166 Jerusalem Pax
180 Organ Tarantella and Epilogue
196 Organ Open Form
210 They praise Thee O Godess (Varients)
224 “They four had one likeness” (Ezekiel)
232 Exitorium
234 Salamoun – 4-movements
251 Babe variations : Organ (based on Saint Saens)
276 Festal Postlude
295 The apocalyptic trumpter takes her place
296 Octatonic Scherzo and Trio
297 Distressed and bent reeds
298 Care passes by on the other side
299 Feelings of apprehension
300 Thoughts on an Agnus (Mode II)
301 Planctus
302 Orthodox-seeking
303 Meditation on an Agnus (Mode I)
304 Thoughts on Parisian use of the Octatonic Scale
305 A Sanctus (Mode VII)
306 Asserting historical English elements
307 Small reeds heard around
308 Minor 321
309 Prospect of displacement at the octave
310 All cluster around
311 Trumpets circle around
312 A new Agnus (Mode I) offered during war
313 A new Gloria (Mode III) as dispersal
319 Procession of the self-righteous
320 Homage to earlier times
321 Agnus when charity forgotten
322 Disjointment
323 Cadenza of Doom
324 Prayers fly upwards
325 Factions
326 Memories of an Homage
327 Epilog: Time runs out for the self-righteous
328 Coda: parallels
334 Postulude after a Jubilee
342 Christus vincit: prelude and ricecare
344 Whitsun Winds